Lisa Wade weighs in on the Miley/Sinead/Amanda open letter imbroglio:
The truth is that both are right and, because of that, neither sees the whole picture. On the one hand, women are making individual choices. They are not complete dupes of the system. They are architects of their own lives. On the other hand, those individual choices are being made within a system. The system sets up the pros and cons, the rewards and punishments, the paths to success and the pitfalls that lead to failure. No amount of wishing it were different will make it so. No individual choices change that reality.
So, Cyrus may indeed be “in charge of her own show,” as Palmer puts it. She may have chosen to be a “raging, naked, twerking sexpot” all of her own volition. But why? Because that’s what the system rewards. That’s not freedom, that’s a strategy.
In sociological terms, we call this a patriarchal bargain. Both men and women make them and they come in many different forms. Generally, however, they involve a choice to manipulate the system to one’s best advantage without challenging the system itself. This may maximize the benefits that accrue to any individual woman, but it harms women as a whole. Cyrus’ particular bargain – accepting the sexual objectification of women in exchange for money, fame, and power – is a common one. Serena Williams, Tila Tequila, Kim Kardashian, and Lady Gaga do it too.
We are all Miley, though. We all make patriarchal bargains, large and small. Housewives do when they support husbands’ careers on the agreement that he share the dividends. Many high-achieving women do when they go into masculinized occupations to reap the benefits, but don’t challenge the idea that occupations associated with men are of greater value. None of us have the moral high ground here.
My Two Cents on Feminism and Miley Cyrus, by Lisa Wade, PhD